Five all-British fights I'd like to see in 2014

2014 is a promising year for boxing. Floyd Mayweather will likely continue as the sport’s main attraction and boxing fans still yearn for him to face Manny Pacquiao, a fight that despite the latter’s stock having fallen isn’t completely dead in the water. Light heavyweight heavy hitters Surgey Kovalev and Adonis Stevenson are likely to meet in what should be an explosive fight. And with Vitali Klitschko retiring and vacating the WBC belt, the heavyweight division may get interesting as a new champion emerges. Not to mention the vacant belt could be the treatment required to expedite a recovery for David Haye’s career-threatening shoulder injury (it’s already rumoured that Haye is planning a return to boxing and it certainly isn’t a ludicrous notion). Although amidst the international prospects within the sport, there are several potential all-British fights that will excite boxing fans.

In no particular order, I’ve therefore considered five British fights I’d like to see in 2014. Whether or not they’ll happen as a result of politics remains to be see. But if they do, they should make for great fights.

George Groves vs Carl Froch

Before their first bout, I tipped George Groves for a points win over Carl Froch. It wasn’t the popular choice amongst boxing fans or the bookmakers. Nonetheless, I felt Groves and his now estranged former coach and manager Adam Booth had studied Froch for years and devised a plan to win just as they did against James DeGale. With rumours of Froch having dropped Groves during sparring and Froch’s confidence (and ego) inflated since he dismantled Lucian Bute and beat Mikkel Kessler in their rematch, conversely, Froch was clearly underestimating Groves.

When Groves and Froch eventually met in the ring, Groves did everything he said he would and Froch was outclassed and outmuscled for the duration of the fight. And while Froch might beg to differ, if it wasn’t for referee Howard Foster prematurely stopping the fight in the ninth round, Groves was on course to get the W. Consequently, and with a lack of graciousness even in a controversial win, Froch emerged the villain while Groves’ popularity skyrocketed. The needle between the two fighters seemingly hasn’t eroded and it therefore sets the stage for a great rematch.

Froch, having presumably realised Groves has the game plan to hurt, outbox and even stop him, doesn’t seem to want a sequel to what was one of the best fights of 2014. He claims there are bigger fights with Andre Ward (who convincingly beat him in the final of the Super Six), Julio Cesar Chavez Jr and even Gennady Golovkin (who would provide the sternest test to Froch’s granite chin). Fight fans however, and understandably an aggrieved Groves, want to see the rematch.

If Froch acquiesces to the desires of Groves and fight fans alike, I can see Groves getting the win in a rematch. He won’t hold back and knowing he can and has hurt Froch, he’s likely to put it on him early. Froch, of course, won’t underestimate Groves this time and will prepare to fight someone who is worthy of his respect. Add the genuine dislike between the two fighters and whatever the decision, it should make for a great fight. It’s ultimately just down to Froch if it actually happens.

Kell Brook vs Amir Khan

Amir Khan has long been chasing a fight with pound-for-pound champion Floyd Mayweather and despite conflicting reports from their respective camps, it seems it may happen this spring. Despite Khan having lost two of his last four fights (one by way of TKO), and his increasing reputation for having a glass chin, he still appears to offer marque value, especially in the United States where he’s promoted by Golden Boy.

Meanwhile, and admittedly with a much lower profile outside of boxing circles, Kell Brook has remained a rival of Khan’s and a potential opponent for some time. With their dislike of each other, a fight between Brook and Khan is growing nicely into a domestic grudge match in the second half of the year. Both fighters will have their fight schedules busy until then. Though I expect by then Brook will have the IBF welterweight belt and even with a loss to Mayweather, Khan’s stock is unlikely to be dented.

Behind the scenes, it appears that talks have already started to lay the groundwork for formal negotiations for Brook vs Khan. If it does happen, I’d tip Brook to win. Khan hasn’t previously fought at welterweight (should it happen, his fight against Mayweather will be his first outing in the division) whereas Brook is big welterweight at that. Furthermore, if Khan’s chin can’t withstand big shots at 140lbs, how will he cope with shots at 147lbs? I think Khan is a decent fighter with heart, great speed and technical proficiency. Though he lacks the discipline to not trade with fighters – a foolish if not entertaining tendency for a chinny fighter. Khan’s coach Virgil Hunter has been working on Khan’s defence. Yet even he has conceded that at this stage in Khan’s career, it’s too late to address that to the extent necessary.

Brook, despite not having fought at this level or on such a big platform, has shown his ability, most recently in taking apart Vyacheslav Senchenko within four rounds. Like Khan, Brook has speed but he also has accuracy and power that I don’t think Khan will be able to cope with – especially if he tries to trade with Brook. Add the animosity between Khan (and his sycophantic camp) and Brook, and it’s a fight I’m eagerly anticipating.

Scott Quigg vs Carl Frampton

Scott Quigg vs Carl Frampton is on the wish list of fights for many boxing fans. Frampton, under the tutelage of Barry McGuigan and his son Shane, has been unfortunate to yet capture a title unlike Quigg. Yet both fighters are keen for a domestic match-up with only boxing politics as the likely obstacle. Traditionally, interest in the lower weight classes hasn’t been to the extent as it has for heavier fighters but this fight is bound to attract a sizeable following and boost the profiles of both fighters beyond boxing circles.

Chris Eubank Jr vs Billy Joe Saunders

Like most of Mick Hennessy’s fighters (both former and current), Chris Eubank Jr was probably lured to Hennessy Promotions with the prospect of having his fights aired on terrestrial television in the UK on Channel 5. The deal hasn’t been all it was cracked up to be and Eubank Jr’s exposure has suffered as a result (Eubank Jr has since parted company with Hennessy Promotions). Nonetheless, what we have seen from him shows he’s one of the most promising fighters in the domestic middleweight scene and he’s certainly not trading off his father’s name for success. Eubank Jr has shown speed, power and showmanship (remind you of anyone?) and commitment in the gym. And if he can get the television exposure he deserves, his profile will grow accordingly.

Billy Joe Saunders has achieved more than Eubank Jr and is currently British and Commonwealth middleweight champion. Some might say a fight with Eubank Jr might therefore be a retrograde step. But the fight would be no mismatch, perhaps only needing Eubank Jr to raise his profile and show some progression on his record to make it marketable. Saunders and Eubank Jr dislike each other and those on the fringe of the boxing fraternity will be keen to see if Eubank Jr is anywhere near as talented as his father. It’s not exactly a PPV event but a solid domestic fight that would be great at this stage of their respective careers.

Tony Bellew vs Nathan Cleverly

Both Tony Bellew and Nathan Cleverly’s respective decisions to move up to cruiserweight were preceded by stoppages at light heavyweight. However, with or without their respective defeats, perhaps it was a timely decision. I’ve often thought Bellew, who fought at heavyweight as an amateur, looked weight drained at light heavyweight and the decision to move up in weight was surely overdue. With both fighters stepping up to cruiserweight, they’ll presumably take their rivalry with them in setting up a rematch.

Cleverly has the confidence of a win in their first fight but it remains to be seen to what extent he’s been affected by the Sergey Kovalev KO. Bellew too was stopped by Adonis Stevenson. Although I get the sense he handled his defeat better than Cleverly which could give him a psychological edge as both fighters look to navigate themselves back to a title shot in a new weight class. A rematch would provide a domestic fight akin to David Haye vs Enzo Maccarinelli and rekindle the cruiserweight division. Another potentially big fight if it happens.

Why has mainstream success evaded soca?

Along with reggae and dancehall, soca is very much the music of the Caribbean. Indeed, with its roots in Trinidadian calypso, many would argue that outside of Jamaica, soca is actually a more representative soundtrack to the region.

With Caribbean culture being exported around the world, its music has been no different. Reggae and latterly dancehall has found itself a regular and prominent feature in the pop charts of territories far beyond the Caribbean. Bob Marley is arguably one of the most celebrated musicians of all time regardless of genre. While Beenie Man, Shaggy, Sean Paul and others from the dancehall scene have experienced huge international success. Similarly, albeit with its origins in another continent, so has afrobeat as the contemporary soundtrack of the African diaspora. Yet despite the parallels, soca has struggled to achieve sustained mainstream success beyond the Caribbean.

Where Soca has seen commercial success, it’s typically been fleeting. Barbadian (or ‘Bajan’) Rupee and St Vincentian Kevin Lyttle both experienced global hits. There are of course also soca classics such as Arrow’s Hot Hot Hot that are known far beyond the soca fraternity. But despite the precedents for mainstream audiences finding soca palatable, it has otherwise been brought to unwitting audiences via watered down cover versions. Trinidad and Tobago’s Anslem Douglas first released Who Let the Dogs Out before it was covered by the Baha Men. Similarly, Alison Hinds’ Roll it Gal, a hit in the Caribbean and amongst its diaspora communities, was covered by J-Status with Rihanna and Shontelle but with a more American RnB sound. Is unadulterated soca not deemed commercially viable? And despite the examples to the contrary, why don't record labels consider soca to warrant the marketing push they’re willing to give other genres, particularly from the same region?

Where acts from Caribbean genres have found commercial success, often the characteristics of their signature sound aids this. For example, Sean Paul or Shaggy’s delivery is more melodious and less raw than say Bounty Killer’s or Mavado’s. Their cadence is often slightly slower and more significantly they use less patois and instead more standard English. Furthermore, their subjects of choice are usually more radio friendly than the Five Star General or the self-proclaimed ‘Gully God’ whose sound caters more for the core dancehall fraternity. Formulaic or otherwise, it makes for a sound that mainstream audiences are probably more comfortable with and consequently one that record labels are more willing to invest in.

For soca, the similarities are there with other acts from the Caribbean that have broken the mainstream market. Fast paced cadences are instead replaced with slowed down tempos. Not to mention a seemingly deliberate smattering of local dialect with British or American English replacing overwhelming vernacular and heavy accents. However, those who argue local dialects present a barrier to soca thriving beyond the Caribbean and its diaspora would be mistaken. Germany’s Soca Twins prove that isn't the case as they’ve managed to bring the genre to a territory whose first language isn’t even English. Furthermore, having seen them in Berlin, there isn't anything diluted about the brand of soca they play. Soca therefore needn't compromise itself and its Caribbean essence in widening its audience.

Soca doesn’t need to follow a template for commercial success. Though perhaps previously being too insular with its sound, and a reluctance to diversify in tempo and lyrical content, has worked against it in breaking the mainstream. Although this has increasingly changed. The genre has evolved to showcase its ability to produce music that isn’t just suited to carnival and party atmospheres but a variety of moods. For most genres, this diversification is often a sign of its readiness to break new markets. Nonetheless, despite soca’s commercial potential, record labels still lack the courage to push it into the mainstream.

Being born of the Caribbean, soca is accompanied with vibrant visuals and rich culture. Surely this presents a great marketing opportunity with a culture that accompanies the music - and a culture that albeit intermittently, mainstream audiences have been exposed to. As one of the largest street parties in the world (only second to Rio Carnival), Notting Hill Carnival has long held soca as its original and continued soundtrack. Similarly, the West Indian Day Parade in New York and Caribbean-inspired carnivals around the world showcase soca to the wider public. The introduction to soca is already there but the commitment and investment to capitalise on it has not been forthcoming. Record labels and media outlets either don’t see the potential or aren’t willing to take the risk in pushing a sound that they don’t feel has fully proved itself as commercially viable.

With the demise of Choice FM, Martin Jay’s Caribbean Affair has disappeared from the radio (but can still be found on www.socavision.com) and the likelihood of Capital Xtra bringing soca to its schedule is slim to none. BBC 1Xtra long removed its weekly soca show from its schedule and aside from the occasional burgeoning soca hit, soca only gets airtime during Notting Hill Carnival. As a result, soca’s mainstream exposure is lacking and only granted on an ad hoc basis. Bunji Garlin is currently getting exposure beyond the usual platforms for soca. But how long will it be until the mainstream radio stations and music channels decide they’re happy to allow another token soca hit to grace the airwaves?

In an age of physical music, soca was at a disadvantage in record sales due to the relatively small populations of the Caribbean islands it originated from. Even songs that remained popular throughout the region would not result in big record sales as the population in the region just isn’t big enough. In turn, marketing budgets would have to reflect the anticipated sales and wouldn’t support a significant push overseas. Although, in a digital era where the internet removes all boundaries from promoting music globally, hopefully soca can now get the exposure it deserves.

Soca has long been denied the opportunity to be presented to a mainstream market and showcase the soundtrack to the Caribbean. Nonetheless, as its popularity grows and the Caribbean diaspora continues to champion it, soca will continue to move toward mainstream success.

"Taekwondo saved my life"

Sport provides a frequent landscape for inspiration. Indeed, the quest for personal or team triumph can often engender a mindset that is formidable regardless of the context. Consequently, sporting achievements are often reflected upon as a source of inspiration. Moreover, such achievements typically have a source of motivation themselves and often present a broad scope in the net of inspiration they are able to cast over others.

A standout example of this comes from one of my closest friends, David Dennis (@davidcdennis). David has been actively involved in taekwondo for as long as I've known him. However, his involvement in the sport has been subject to hiatuses that have not only interrupted this but more seriously been caused by life threatening experiences. Nonetheless, David recently obtained his 5th Dan black belt and the title of 'Master'. Under any circumstances this is a great achievement. But against the backdrop of adversity he's faced, it's a remarkable story.

David agreed to me posting his thesis which supported his 5th Dan black belt. Unedited, here is David's journey to his inspirational feat.

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Coming from a rough area and poverty, it’s very easy to go off track on the path to success and justify failure with excuses. Over the years, many of my friends have been in serious trouble, arrested and imprisoned. Yet Taekwondo has aided me in avoiding this path by channelling my energy into something positive. Negative energy is wasted energy. Taekwondo instilled within me the strength and discipline to resist the traditional temptations of the street-life so many of my friends could not when we were younger. They were involved in violence and crime from a young age but everyone has a choice. Some choices are harder to make than others and some situations are worse the others. But in the end there is always a choice.

I obtained my first black belt in 1996 and it remains to this day one of the proudest moments of my life. Although I worked hard to get to this point, I realised that it was at this stage where the real work started. As a result, I knew that I had a responsibility, an obligation, to spread to word of taekwondo. Through training my mind and body, it was time to utilise the ideology of enhancing my spirit and life even more now than ever. More importantly, it was time for me to encourage and teach others to do the same through my example. I invited as many of my friends, their friends and local youths as possible to taekwondo.

To some, like myself, I can say taekwondo saved them from a negative life. You could even argue it saved their life. I certainly feel it saved mine. I am not saying taekwondo necessarily saved me from death – instead I speak more from the perspective of fulfilment, enjoyment of life and maximising my potential in the right way. For others, it removed them from negative environments and situations at least temporarily if not permanently. It showed them they had a choice, gave them a focus and encouraged them to become goal orientated. The significance of this cannot be underestimated and as Bill Copeland once said: "the trouble with not having a goal is you can spend your life running up and down a field and never score".

Taekwondo really provided me with a true reason to live. It gave me a purpose, understanding, direction and inner-strength I never had before and this was never more important than in my darkest hour.

I was at the peak of my taekwondo career around the end of 1997. I had finished in the top 4 or better for the past few National Championships, I had won many UK based tournaments, I was ranked as the number 1 fighter in my weight in the London Region Team and had just completed my first training sessions with the GB National Team. I’d also medalled in the Park Pokal in Germany, at the time one of the most prestigious tournaments in Europe. I was entering 1998 with great results, confidence and in the best shape of my life.

In January 1998, it was a cold Tuesday morning and I was doing my paper round. It was meant to be one of my last ones as I had just turned 16, therefore I could now get a regular part-time job. As it would turn out, this would indeed be my last paper round. I had just passed the road I live on to make my last drop-off of papers, as a car hit the back wheel of my bike. I flew off of the bike head first into a jeep, which I hit so hard it was written-off. The driver then drove over my lower left leg forcing both my tibia and fibula bones to break through the skin on the back of my leg. I was unconscious with broken bones and serious head wounds. At this moment not only was it unclear if I would be able to do taekwondo again. But even worse, it was questionable if I would walk again let alone live.

When I awoke in hospital, my Mum and Dad were there. Soon after, the first visitor I had was my Taekwondo Instructor Master Azim. Like my parents, he was extremely upset with what had happened. This for me was just a reminder of the fact that our taekwondo community are like family.

I spent one month in hospital, then the rest of the year with my leg in a cast. I had to take my GCSEs during this time too, despite having constant headaches, using crutches and being in a cast from groin to toe. I honestly feel if it had not been for the indomitable spirit taekwondo institutionalises within all of its true practitioners, I would not have got through this period. I fortunately managed to dig deep within myself to focus as much as I could to get good exam results. I would later go on to College and eventually get my degree at University in Philosophy, a subject also influenced by taekwondo. A philosophical approach, in terms of analysing and understanding situations, as well as people, has benefitted me significantly in all aspects of life from training to work.

Whilst I was out of training for 1998, I attended training almost every session. I watched from the sidelines, crutches in hand, advising team-mates and keeping up to date with taekwondo’s constantly evolving techniques and strategies. I returned to training at the beginning of 1999. Within a month or so I competed at the National Championships to yet again place in the top 4 fighters in the UK despite being nowhere near fully fit. This type of achievement didn’t just happen within taekwondo, it happened because of taekwondo. I have given a lot of time, effort, energy, blood, sweat and tears to taekwondo over the last 21 years. However, this does not compare to what Taekwondo has given to me.

The importance of taekwondo in building character, confidence and morals cannot be underestimated. The tenets of taekwondo are very much the foundation for evolution of spirit and progression in life. However, like many things it is not just the words or their meaning that carry an inherent value. Rather it is our interpretation of them and how we exemplify their essence – Courtesy, Integrity, Perseverance, Self-control and Indomitable Spirit.

There is no short-cut on the path to true enlightenment. We must be the change we wish to see in the world. Taekwondo is about never giving up. If something is worth doing, it will never be easy, but it will always be worth it. We are only confined by the walls we build ourselves. Too often we place limits on our potential and become prisoners of our own minds. Taekwondo removes the handcuffs, pushes the boundaries and sets us free. The biggest mistake in life we can make is to continually be afraid we will make one. Through Taekwondo and the way I live due to taekwondo’s ideology, I want to inspire people. I want someone to look at me and say “because of you I didn’t give up.” Let us not forget, a black belt is a white belt who never quit. This mentally transcends martial-arts and is applicable to all aspects of life.

Four years ago I would have to draw upon all of the aforementioned to fight yet another battle. I was diagnosed with Sarcoidosis, a rare hereditary chest condition that affects the lungs. It is a fairly new disease that causes an inflammation of the lungs, limiting the percentage of oxygen within the lungs, which in turn affects the brain, heart and the entire body. Although it is not contagious, it is possible to die from this condition – people certainly have before. It is carried in recessive genes and can create significant breathing problems should they become active. For 3 years I fought this condition, on very strong medication, with dozens of hospital visits. It was difficult to find energy to train, control my weight and maintain my fitness.

Through exhibiting and exemplifying the tenets of taekwondo I managed to reach a full recovery around a year ago. It took everything I had to recover, to re-motivate myself to train as much and as diligently as I had previously. After hours of gym work, circuit work, personal trainers, dietary and nutrition overhauls, as well as blood, sweat and tears in the taekwondo training hall, I can confidently say today, that I am back to full fitness. I have come down from over 100 kilograms to as low as 80 kilograms in weight this year.

I know this challenge and many others will present themselves in the future, but I have never felt more prepared due to the strength and knowledge I have gained through taekwondo. This is why I want to further my taekwondo education and knowledge by grading for my 5th Dan black belt. I want to show my Instructor, my club, my students, my family, my friends and everyone else that they can still achieve their goals and dreams against the odds. I want to show them it’s not important to be the best, although we can all aim to be. Rather, it’s more important to be the best WE can be. It is important to be better today than we were yesterday as tomorrow waits for no one. We are here to make the most of today in the hope to be the difference tomorrow. Taekwondo has given me reason, purpose, power, courage and direction I would never have had otherwise and it is time I gave back.

Why Help to Buy is another ill-thought through idea by the government

The aspiration of home ownership has long been a somewhat inherent British attitude. Unlike in countries like Germany where a larger number of people rent their home, buying a house in the UK is almost viewed as a social rite of passage. Conversely, it’s led to some attitudes of people snobbishly turning their noses up at those who choose (or are compelled) to rent long term and contributed to the unwarranted stigma of living in social housing.

There are obvious advantages (and disadvantages) to buying a home over renting. But for many, it’s often a sign of successfully climbing the social ladder. Governments in recent history have therefore sought to capitalise on that and facilitate home ownership for those that would otherwise be frozen out from getting on the property ladder. Most recently, the government has introduced Help to Buy with the same intention. Yet like many government schemes, populism trumps pragmatism and Help to Buy is no different.

Help to Buy is allegedly aimed at people for who raising a deposit is their main obstacle to buying a home. Typically, that should mean people who may be on modest incomes that prohibit them from saving or those without the traditional middle class route to a deposit from parents, family or inheritance. With Help to Buy a deposit of as little as 5% is required. While a mortgage of up to 95% is made available via a traditional lender with a seven year government backed guarantee of 15% of the mortgage.

In principle, Help to Buy seems sensible and will undoubtedly open up home ownership to a group that traditionally may not have had the social or economic clout to achieve it. Similarly, at face value, so did Right to Buy (Margaret Thatcher’s policy of giving social housing tenants the opportunity to buy their rented home at a discount). Though just as an acute lack of social housing has been a legacy of Right to Buy, the potential consequences of Help to Buy are far from completely positive.

In defence of Help to Buy, David Cameron said "As prime minister, I'm not going to stand back while people's aspirations to get on the housing ladder, to own their own flat, to own their own home, are being trashed." Well, that’s very noble of him, isn’t it? Cameron’s Conservative-led coalition government is responsible for some of the least egalitarian social and economic policies since Thatcher. So why is his stance different when it comes to home ownership? Ideologically, home ownership is a very conservative (and therefore Conservative) ideal so perhaps Help to Buy shows Cameron hasn’t forgotten his party’s ideological roots.

While Help to Buy is intended to help those who would struggle to raise a deposit, there are many potential eligible applicants who aren’t struggling per se to raise the cash for a down payment. Rather, many well-off applicants will be perfectly able to raise the money but Help to Buy will facilitate not needing to do so. Are they the kind of applicants that come to mind when thinking of those struggling to raise a deposit? I think not. Moreover, with Help to Buy being offered on properties with a value of up to £600,000, it’s highly questionable that anyone seeking to buy a house of that value would be struggling with a deposit. As a result, I’m cynical of who Help to Buy is really primarily intended to help.

The government seemingly also hasn’t considered the impact of increasing the amount of money being lent in the housing market. Nor has it considered the consequence of increased demand for property when it’s allegedly trying to help first time buyers struggling with their deposit.

By guaranteeing 15% of a mortgage, the government is giving lenders more confidence through Help to Buy. That means more money will be lent with a knock-on effect of higher house prices and the likelihood of a housing bubble. That won’t help first-time buyers but merely push home ownership further out of their reach. It’s basic economics but a principle the government has ignored. Similarly, they’ve not taken heed of recent history in how high loan-to-value mortgages can lead to disastrous outcomes for the housing market and the wider economy. And compounded by a scheme where the government guarantees 15% of the money borrowed, it’s not difficult to see the significant risk Help to Buy presents to the economy.

Supporters of Help to Buy will argue that it will help to stimulate the housing market. But it could instead precipitate events akin to the subprime mortgage crisis with more irresponsible borrowing. The government has assured critics of Help to Buy that stricter eligibility for borrowers will mitigate that risk. Nonetheless, I’m sure lenders will find a way to creatively circumvent that if they desire. After all, there is a precedent for it and sadly the financial sector has enough influence over the government to make it happen.

I’m not averse to enabling home ownership for those that aspire to it. Indeed, I’m sure Help to Buy will make that a reality for some people who would otherwise be unable to get on the property ladder and I’m not bemoaning that. But the wider consequences of the scheme could be dire. Help to Buy doesn’t address the ongoing concern of providing affordable housing; it simply exacerbates it at the expense of the very people it’s claimed to be assisting.

The demise of Choice FM

The announcement that Choice FM would be rebranded as Capital Xtra (very unoriginal given BBC 1Xtra) marks the end of an era in black British history (and as some have pointed out, ironically so at the beginning of Black History Month in the UK). Choice FM was the first licensed radio station in the UK with a remit to play black music and brought black music from the shadows of pirate radio and specialist DJ shows on other radio stations. But more importantly, it was another overdue step that validated the impact of black British culture outside of the black community.

Choice FM didn’t maintain all the rawness of some pirate stations at the time but rightly so. It was a legal radio station that sought to provide professionalism alongside black music while retaining authenticity in its music and overall feel. To some, that would surely have appeared an impossible contradiction. However, it created the blueprint for subsequent arrivals to the FM and DAB dial such as BBC 1Xtra and Choice FM Birmingham (which ironically, became Galaxy before becoming Capital Birmingham with a similar fate to Choice FM).

Commander B’s show championed UK garage and hosted the much anticipated clash between Dizzee Rascal and Asher D (Ashley Walters). Soca, reggae and bashment could be heard during peak hours. Hip hop by underground UK artists was also played alongside mainstream and less commercial American hip hop by DJ 279 (who was recently let go to make way for Tim Westwood’s arrival at the station with his brash presenting style and more club friendly brand of hip hop and latterly grime). Before Choice FM, only a pirate radio station could provide this.

In addition to its music output, Choice FM catered to the black community with its advertising and championing of community issues. Its support from the black community wasn’t solely because it played black music (which isn’t exclusively for black people). It was because it was a radio station that represented the black community within a broader media landscape. That was until Capital became involved.

Black music became increasingly popular throughout the 90s in the UK. American artists of black music genres experienced increased commercial success and UK artists followed suit. While Choice FM’s initial target audience may have been the black community, it was now catering to a broader audience. And as social class came to be a bigger social identifier than race, many of the issues Choice FM championed were also now applicable to a wider group that were bound more by social experiences than race. Indeed, many of Choice FM’s campaigns such as Peace on the Streets were not directed exclusively at the black community.

Consequently, Choice FM offered more commercial viability and Capital wanted in. They became a minority shareholder in Choice FM with the radio station citing Capital’s experience in commercial radio being brought to the station. In 2004, Capital assumed full control of Choice FM and immediately the writing was on the wall. Remember when Geoff Schumann and other DJs were unceremoniously sacked from the station? On reflection, Capital Xtra doesn’t seem that much of surprise.

Choice FM’s content also changed. Akin to Kiss FM being taken over by EMAP, Choice FM gradually moved away from its roots and its original listeners, myself included, drifted away only to tune in occasionally. Still, there were glimpses of the old Choice FM. Bashment and reggae was marginalised but veteran reggae DJ Daddy Ernie remained at the station and Martin Jay continued to broadcast his Caribbean Affair weekly soca show. Nonetheless, neither, along with other DJs, will transfer to Capital Xtra. Although, the authenticity of their shows would only appear an anomaly within what I expect will be a largely formulaic and plastic Capital Xtra schedule.

So Choice FM is no more. Capital Xtra is more than a rebranding, it’s a new station and its output will reflect that. Many are angry about the demise of Choice FM but if you look at the precedents with Kiss FM and Choice FM upon being taken over by Capital, should we not have seen this coming? Cynically, it could be said that this was a long term plan when Capital first acquired its minority share in Choice FM.

The demise of Choice FM isn’t just about black music. Of course, soca will probably only return to the consciousness of BBC 1Xtra come Notting Hill Carnival and other less commercial genres will now increasingly rely on internet and pirate radio. More significantly, this is about the marginalisation of black British culture from the mainstream. Consider the DJs that were let go from Choice FM, both prior to the beginning of Capital Xtra and when Capital assumed full control of Choice FM. Irrespective of their respective race, they and the genres they played represented the black British community and black culture. Yet they aren’t deemed commercially viable by the likes of Global Radio (the company that owns Capital Xtra and previously Choice FM).

Even the rebranding to Capital Xtra suggests Global Radio wants to distance the new station from Choice FM as a brand that was associated with black music. Perhaps the ‘Xtra’ was ignorantly deemed suitably ‘urban’ (not black) by Global Radio to still meet the requirements of the licence Capital Xtra will inherit from Choice FM (although I expect Capital Xtra will eventually seek a change in its licence obligations to align it more with its preferred music policy). Though what does that say about media ownership in the black community if the few platforms that do exist eventually disappear beyond recognition due to corporate demands? Will Capital Xtra even bear a modest resemblance to Choice FM? I’ll probably only find out through hearsay as I shan’t be listening to the new station.

The black community and beyond has lost a valuable platform in Choice FM and one which is responsible for a seminal chapter in contemporary black British history. Without Choice FM, it’s unlikely there would be BBC 1Xtra (which despite not having commercial pressures has also increasingly sought a diluted feel from its earlier days) or the success of much black music in the UK. Despite its demise, Choice FM certainly leaves a legacy and perhaps also a cautionary tale.

The unlikely taboo of interracial relationships

Despite improved race relations and the progress of multiculturalism, for some, one area that should remain sacrosanct to such progression is interracial relationships. Consequently, and as an undeniable feature of modern society, interracial relationships have remained an unlikely taboo for some.

Being in an interracial relationship, I’ve been fortunate to not have experienced tangible resistance from either family and certainly not with any hostility. There have been undertones of cautiousness on both sides but that’s been largely based on ignorance of the other’s culture and how to respond to it. And with my partner’s community being fairly insular, initially, I literally represented the unknown for her family.

With some people, and behind a smokescreen of disingenuousness, we’ve both observed unspoken sentiments of disapproval toward our relationship. It’s a minority view but not one held by individuals who we have any real relationship with or respect for. Nor is it a view that has ever been articulated – which is just as well as said individuals’ opinions are of no value to us. Though admittedly, knowing that you are the source of any disapproval from even the smallest factions of your partner’s family or community is not a pleasant feeling.

Particularly if any opposition stems more from your partner’s side than yours, it’s easy to see yourself as the indirect source of any potential anguish for them or the reason for them needing to become more resolute in their convictions. It can also lead to a feeling of helplessness and regret; not of your relationship but of what you feel you represent on some level in causing an issue. Conversely, for the other person, an unwarranted feeling of resentment toward their family and community, and a sense of guilt that they come from a background that exhibits prejudice wrapped in backwards ideals, is an unescapable emotion.

Nonetheless, neither of us will ever lament the fact that we aren’t of the same ethnicity simply because it doesn’t meet blanket approval. Both of us are proud of our respective heritage and nothing will change that or cause us to suppress either culture within the relationship. We embrace each other’s culture which is something both our families appreciate and has arguably mitigated any challenges we may have faced.

Thankfully, we haven’t experienced the problems encountered by some interracial couples. I know of interracial and interreligious couples whose families and wider communities have not been receptive to their relationship whatsoever. For some, that’s meant having to choose between their relationship and their family – with the ultimatum being directly or indirectly made by the latter. In response, some couples have shown great courage that I have the utmost admiration for and they’ve pursued their relationship at the risk of being ostracised by either family. Whereas for some, their family was too great a sacrifice to make. Especially against a backdrop of prejudice from a family, many would argue that pursuing the relationship is the right thing to do in such instances. Although, regardless of the decision, it's undoubtedly an emotionally charged predicament.

Interracial relationships and people of mixed race have become commonplace in modern society and the prejudice they were once met with has certainly receded in recent years. The Melting Pot Generation – How Britain Became More Relaxed About Race, a report published by think tank British Future, also found that in contrast to 50% and 40% of the British public admitting to being opposed to interracial relationships in the 80s and 90s respectively, that figure was 15% in 2012. That’s a huge improvement. But with a population that exceeds 60 million, 15% can’t be discounted as merely a handful of people with archaic attitudes.

The 2001 UK census reported that 2% of all marriages were “inter-ethnic”, a figure that will surely be shown to be growing once the respective data is released for the 2011 census. In the interim, and as a measure of the increasing number of interracial relationships in the UK, the 2011 census data shows that the mixed race population is amongst the fastest growing and forecast to become the largest ethnic minority group in the country. In America, the 2010 census also reported that “interracial or interethnic” cohabiting married couples grew by 28% between 2000 and 2010. With such a trend, how have interracial relationships therefore managed to remain taboo for some?

It may not always be overt, and in many cases is culturally or even generationally institutionalised, but prejudice is what underpins opposition to interracial relationships. Yet many who hold said opinions would probably argue to the contrary. Some would claim that their opposition is based on their perception of the lack of viability of an interracial relationship and a fear of their culture becoming diluted. They’d allege that’s in contrast to a relationship where the couple at least share their heritage if nothing else. Many would also pledge their commitment to multiculturalism, citing their indifference to colleagues, neighbours and even friends of a different background. However, for them, the intimate sphere of a relationship is a line that that indifference cannot and should not cross.

Granted, and potentially coming to the fore in raising children, some interracial couples may experience challenges of different cultural expectations or different cultural values within the relationship. Where applicable, language barriers with each other’s families, not to mention a possible frosty reception to the relationship, can also present problems. Although in a multicultural society, aren’t these problems mitigated by multiculturalism itself? And when taken outside the context of race or indeed religion, aren’t differing views challenges that all couples may be faced with, regardless of their respective backgrounds?

The assertion that interracial relationships signal the end of a culture’s identity is unfounded. Multiculturalism shapes new identities and, as a frequent by-product of interracial relationships, the mixed race population provides a growing ethnic group that with it brings new hybrid identities and cultures. Though that needn’t cause a culture to become extinct. In a diverse society, cultural identities can just as easily become eroded within a couple of the same ethnicity and heritage. Therefore to pin that on interracial couples is a charge that is tinged by ignorance, prejudice and irrational fear.

Beyond their prejudice, those who maintain an opposition to interracial relationships may see it as a gradual attack on their own race, culture and accompanying values and identity. But in maintaining their view, they’re unwittingly or otherwise resisting the virtues of multiculturalism and holding a belief that has little reasoning behind it. Furthermore, ironically, the very values and identities they unnecessarily seek to protect and preserve will likely outlive their own backwards and narrow-minded ideals.

For interracial relationships to remain taboo for some is a sad reality that goes against the grain of a racially diverse society. Fortunately, it is a view that is becoming increasingly rare and typically met with disgust and disdain. Yet despite the progress made in race relations, the prejudice that fuels this opposition hasn’t been completely eroded; until it is, there will always be individuals who simply don’t agree with interracial relationships.

The art of rap

Rap music has established itself firmly within popular culture and become a credible art of expression. The label of rap has come to be synonymous with lyricism and rightly so. Indeed, in spite of their origins in the grime scene, lyrically proficient artists like Scorcher, Wretch 32, Kano and Durrty Goodz are commonly regarded as rappers in denoting their penchant for lyricism. Nonetheless, despite its roots in artistic expression, rap struggles to achieve universal recognition as a legitimate art.

As a genre underpinned by storytelling, lyricism is a cornerstone of rap. The ability to articulate tales with imagery, metaphors, double entendres and other wordplay, all the while doing so through intricate rhyming patterns, is no throwaway skill. Nor is the range of emotions and perspectives rap is able to create with words. From the vivid narrative of inner city life in Skinnyman’s Council Estate of Mind, to Lowkey’s incredibly moving and personal Bars for my Brother, rap clearly isn’t limited to its woefully flawed and narrow stereotype of boisterousness and braggadocio.

The attributes of rap wouldn’t be amiss if discussing poetry or literature in academic or cultured circles. After all, spoken word artists like George the Poet demonstrate the synergy between rap and poetry. However, hip hop culture typically doesn’t portray a likeness that is befitting of more traditional performing arts.

For many outside of the culture, being unable to see past this image is part of the issue. Institutionalised and largely social prejudice can lead to a closed mind in failing to realise the art that is present within rap. Rap, like other MC-based genres, is typically dominated by artists from working class or lower socio-economic backgrounds and largely blacks, Hispanics and other ethnic minorities. Most rappers therefore project many of the sensibilities and vernacular found in their communities. As a result, the image they portray can become a distraction for anyone that would usually expect such well-articulated rhetoric from a middle class, well-spoken individual. In fact, just as it is often perceived in wider society, it’s almost a display of chutzpah for someone of a certain class or ethnicity to offer intelligent and coherent discourse, let alone via the medium of rap.

An inability to empathise with an unfamiliar lifestyle contributes to this blinkered outlook. Many rappers provide social commentary that is instead confused with glamorisation of a negative side of life. But it’s said lack of empathy that feeds the ignorance of this stance.

As the then leader of the opposition, David Cameron criticised Tim Westwood’s Radio 1 rap show for playing music that "encourages people to carry guns and knives". Admittedly, some of the content played by Westwood would probably have done just that – and not too articulately either. But some would have provided narratives of a life that Cameron has never been and never will be able to relate to. Yet his broad criticism illustrates how dismissive someone with his perspective can be of the merits of rap – all the while reserving admiration for traditional art forms that in essence share similarities with the genre.

In literature, Charles Dickens’ ability to provide compelling social commentary and critique is frequently praised. But albeit a different art of storytelling, the principles of Dickens’ work, or indeed William Shakespeare’s, are no different to much rap. The parallels might be subtle to some, but they’re certainly evident for anyone open-minded enough to appreciate them. Furthermore, just as Dickens’ and Shakespeare’s works are appreciated for their strength of storytelling and the vivid pictures they paint, so should rap be.

Never Change, Jay-Z’s introspective account of his life “before rap”, provides an example of the imagery rap can evoke through lyricism. The lyrics “keep coke in coffee, keep money smelling mothy” create a scene for the listener that is undeniable poetic. You can almost smell the residual scent of coffee while imagining the texture of used and dirty dollar bills touching your fingers against a backdrop of drug paraphernalia. And that’s without having any experience of the life he’s referring to, nor feeling it’s a life that’s being glamorised. The assonance and the consonance, the cadence and the soulful production that samples the David Ruffin classic, Common Man, all contribute to creating this picture so deftly that it cannot be described as anything but powerfully poetic. With material like this, how could anyone deny rap as an art?

Alas, part of the problem lies in the other side of rap. Notwithstanding the lyricists within the genre, there are also the likes of Soulja Boy, waiting to spew garbage lyrics over production that sounds like it was created using a toy keyboard. There’s also the cringeworthy ignorance that rap music sadly isn’t immune from, as showcased by Kanye West’s verse on Clique –

"you know, white people get money don’t spend it/or maybe they get money, buy a business/I rather buy 80 gold chains and go ig’nant/I know Spike Lee gon’ kill me but let me finish/blame it on the pigment, we living no limits"

The ignorance and stupidity of those lyrics are arguably more damaging for the perception of black culture than rap culture. But they certainly do rap music no favours. Instead, they merely pander to the negative stereotype that hip hop culture struggles to distance itself from in asserting itself as an art rather than a modern day minstrel show. Unfortunately such offerings are so disposable that they permeate mainstream culture with ease and are sadly passed off as representations of rap.

Chasing commercial success can also diminish rap’s ability to be taken seriously. Drake is arguably one of the better ‘current’ mainstream rappers and I was an early supporter of his earlier material including the So Far Gone mixtape (that’s when it was still a free mixtape rather than an EP for sale). Though presumably in a bid to experience mainstream success, much of his subsequent material has seen its quality diminished. This dichotomy between commercialism and authentic culture isn’t exclusive to rap. Nonetheless, it’s a disappointment when commercialism triumphs to the extent that the culture is compromised, especially when it devalues what the culture has to offer.

Rap should be recognised and respected with the same regard as other literary or performing arts. The genre does present content that might not be as commonplace within more traditional performing arts, but that needn’t detract from its relevance or credibility as a form of expression. If anything, that’s meant it’s managed to articulate the experiences of those who often aren’t given a voice to do so themselves. Rap is a legitimate art and despite it not conforming to traditional notions of artistic expression, it deserves to be recognised as such.

Stop denigrating fathers

Depending on your social network or forum of choice, Father’s Day usually sees a mixed response to the intended celebration of fathers. On one hand, there are the complimentary posts lauding fathers for the part they play in their child’s life. Indeed, this isn’t dissimilar to Mother’s Day when such sentiments are echoed with reverence and without exception – and rightly so. However, on Father’s Day, such remarks are punctuated with negativity and disdain for fathers with comments like “happy sperm donor day” being bandied about. It’s disappointing to read and hugely disrespectful and unfair to the majority of good fathers that exist. Furthermore, it’s indicative of the often negative view of fathers that manifests itself within society and needs to stop.

Personally, I’m not too enthused by celebrations such as Mother’s Day and Father’s Day. I’m not averse to them per se, but I question the need for an annual ‘special’ (not to mention commercial) day when I am a good son and grandson all year round. Nonetheless, it’s nice to observe such days to honour a parent, grandparent or special person who has fulfilled such a role in your life. Therefore, when it comes to Father’s Day, why would anyone want to detract from that with disparaging comments?

As a man, I can certainly concede that there are some of my gender that are bad fathers. Whether that be because they’re absent from their child’s lives, don’t provide support (financial or otherwise) or mistreat their children, bad fathers exist. And by the same token, so do bad mothers. Unfortunately, regardless of their sex, bad parents exist and there isn’t any merit in merely highlighting the parental transgressions of just one gender. All it serves to do is take away from the good parenting of fathers who exercise fatherhood with great responsibility and pride.

The perception of gender roles in society has come to devalue the role of a father and erroneously suggest fathers are secondary to mothers. Biologically, a mother’s role is incomparable to that of a father. Though when it comes to nurture, guidance and support in raising a child, both parents play an equally important part. Mothers and fathers bring respective attributes to parenting and neither should be seen to supersede the other by default. Yet often, fathers are portrayed almost as second class parents and that’s mirrored in society.

Single fathers receive nowhere near the same kudos as single mothers do; they often get overlooked as even existing. And up until 2011, paternity leave in the UK was two weeks in contrast to up to a year for maternity leave. What kind of a signal does that send to society about the value of fathers in contrast to mothers?

Where a couple has separated, fathers are much more likely to encounter difficulties in obtaining reasonable custody if no longer on amicable terms with the mother of their child. Some would argue that bad fathers have set a precedent upon which to support the rationale for the status quo. And to an extent, they have. But what about the good fathers who exist? They shouldn’t be denied access to their children for the mistakes made by bad fathers before them. Despite mixed views on organisations like Fathers 4 Justice, it cannot be argued against that at the crux of their campaign is fairer and equal custody of children between couples who have separated or divorced. That’s a far cry from the proposition that fathers are more likely to be nonchalant toward and shirk their parental duties.

The assumption and unequal weighting of the value placed upon a mother and a father was dramatised in the custody battle in Kramer vs. Kramer. The film also challenged the way motherhood and fatherhood was seen and since its release, outlooks on parenting and gender roles have modernised. Although many of the attitudes in the film are still apparent in modern society.

Those who continue to denigrate fathers in suggesting their parental responsibilities are more often than not reneged upon, should reconsider their views. Yes, bad fathers exist and they don’t deserve to carry the label or honour of being a father. Nonetheless, that doesn’t mean other fathers should be tarred with the same brush, and certainly not on a day when fatherhood is being celebrated. Furthermore, the proponents of such views should examine why most of the fathers they know and interact with seem to fit the ‘sperm donor’ tag. Surely said individuals represent a common denominator amongst such men? Perhaps they need to also look at themselves before making such generalisations.

Fatherhood should be seen on par with motherhood and attitudes in society shouldn’t reflect the contrary. Good parenting, regardless of it being paternal or maternal, should be acknowledged and celebrated, not diminished by the negative actions of others. Sadly, there will probably always be bad fathers. But they do not represent all fathers and they shouldn’t be allowed to become the poster child for fatherhood. Needless to say, there are more than enough good fathers for that to not be the case and some people could do with remembering that.